STAMBHA Stambha represents the idea of strength, stability, and the connection between the physical and spiritual worlds. Inspired by the architectural form of a pillar, this wooden sculpture explores the relationship between structural support and human existence.

The sculpture consists of a solid wooden panel with a profile resembling a human face, alongside a vertically stacked column of carved, bowl-like forms. The contrast between the flat, solid panel and the rhythmic, repetitive elements of the column creates a visual dialogue between stability and movement, individuality and collective strength.

The human profile represents identity, consciousness, and the inner self, while the stacked forms symbolize the stages of life, accumulated experiences, and the continuous process of growth. Each individual element supports the one above it, suggesting that strength emerges through the accumulation of experiences and the balance between different aspects of existence.

Through the warmth and natural grain of wood, Stambha establishes a connection with nature, traditional craftsmanship, and Indian architectural heritage. The pillar becomes more than a structural element; it serves as a metaphor for the human spirit, which remains grounded while continuously evolving.

 

Harmony park, Lucknow

 This artwork is a striking sculptural installation designed in the shape of a human head in profile view. The head is formed using a metal grid structure, which is densely packed with rounded stones or similar natural materials. This composition gives the sculpture a solid, almost earthen texture while retaining an industrial framework.

A particularly symbolic and thought-provoking element is the large metallic cylinder (resembling a bell or weight) that hangs within the open space of the head—positioned where the mind or thoughts might be imagined. This creates a powerful visual metaphor. It could suggest ideas around mental burden, inner resonance, or the presence of something profound within the human psyche.

Set in an open, public environment, the sculpture invites viewers to contemplate its message and materials. It balances between organic and constructed forms, and may comment on themes like identity, thought, consciousness, or the intersection of nature and industry.

Would you like me to write this description in a more poetic, formal, or curatorial tone?

 

 

JAN

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Aakriti Art Gallery & Art Konsult present Time & Material

New Delhi: Aakriti Art Gallery & Art Konsult present Time & Material; a group exhibition of more than 70 sculptures embracing the ubiquitous human form by forty leading Indian sculptors at The Stainless Gallery, New Delhi from February 1 - 8, 2008.

The participating artists includes Akhil Chandra Das, Aku, Amaresh Kumar, Anil Sen, Asim Basu, Apurba Nandi, Anuj Kumar Poddar, Bimal Kundu, Chandan Bhandari, Chinthala Jagdish, S.Gopinath, Goutam Das, Jayanta Paul, Janak Jhankar Narzary, Jehangir Jani, Kanta Kishore Moharana, Kishore Chakraborty, K.S. Radhakrishnan, Mukulendu Pathak, Nilima, P.Rajivanayan, Pankaj Panwar, Partha Dasgupta, Pijush Patra, Rajender Tiku, Ratilal Kansodaria, Sandip Chakraborty, Shanta Samanta, Shiv Verma, Shyamal Roy, Subrata Biswas, Sujit Kumar Karan, Sutanu Chatterjee, Sunanda Das, Sunil Kumar Das, Suvadeep Das, Tapas Biswas, Tapan Kumar Das, Vinod Patel, Yogesh Mahida.

India's artistic heritage is one heavily dominated by a sculptural tradition. From the practical and decorative terracotta pieces of the Indus Valley Civilization to the intricate temple art of Mahabalipuram, Konarak and Khajuraho, the renowned bronzes of the Chola and Gupta periods, and the non-figurative stone-work adorning Mughal monuments, sculpture flourished as an art form in pre-colonial India.

Marking the presence of modern India, sculptors began to push the traditional media of their genre to take on new forms. Wood was smoked, burnt and assembled. Metal was not only cast, but etched, embossed, moulded, beaten and welded into shape in the hands of sculptors. These trends continued through the 1970s and early 80s, when students of the early moderns took up their cause to champion the freedom of expression, as their teachers retired.

Vikram Bachhawat of Aakriti Art Gallery says, "This sculpture show embraces notions of both the primitive & the modern - earthiness, naturalness, directness, abstraction & the surreal. They are wrought from materials such as brass, copper, iron, bronze, mud and papier-mâché which make for its wonderful richness of colour & light. The variety of medium and form is of utmost importance in sculptures as is proportion. One has to make a concerted effort to bring in a wide spectrum of artists, which was no mean task for us, but the challenge seemed worth taking."

Bhavna Kakar of Art Konsult says, "These sculptors take references from their life experiences, personal accounts & observations, initiating a sequence of activating the viewer through a cerebral engagement. The one common feature in this exhibition is an ubiquitous human presence in most of the participant's work."

The exhibition explores, expresses and captures the enlightened vision of the artists through contrast of lyricism and reality. Derived from life, it goes beyond physical attributes of life and resurrects the vital elements of nature towards pure beauty. The ethereal beauty of the sculptures is related to the medium as the body is related to the soul. In the absence of one, the other loses its relevance. This proves sculptures are more committed to life and art. Siddharth Tagore of Art Konsult sums it up by saying, "Each artist is living sincerely with his/her creative pursuits, having developed his/her own personal style. One can see their contribution towards modern contemporary sculpture which has been out of sheer personal passion."

I am not only discovered my passion for sculpture, but i am also taken the time to develop my skills and master art & craft. That's something to be incredibly proud of!

Being a sculptor requires dedication, creativity, and attention to detail. It's a unique blend of artistry and technical skill. By proving myself as a sculptor, I have demonstrated my ability to bring ideas to life and create something truly special.

Keep pushing the boundaries of  creativity and technique. What kind of sculptures do you enjoy creating the most? Are you drawn to abstract, figurative, 

About my work,.....

 My sculptures are designed to be interactive, inviting everyone to touch and feel the art. Through this interaction, I aim to create a space where people can connect with my work and with each other. To me, art is about sharing our expressions, thoughts, and experiences. Each piece symbolizes an individual’s perspective on the details of daily life, influenced by my reflections and connection to the world around us.

                        Pijush patra.